forthcoming Fall, 2015
Elizabeth Bradfield's third collection of poems returns to her investigations as a naturalist in the world. How does a right whale corpse help illuminate a grandmother's grief? Can recognizing a bird call out of range serve as a point of connection between two people?
The poems of Once Removed are intimate, wry, desperate, and searching. They explore how we connect (and fail to connect) to the social, familial, and environmental worlds we live in.
From Alaska to Cape Cod to Bradfield's childhood home in the Pacific Northwest, place shapes these poems. They look outward, armed with science and grounded by love, in order to understand the deeply mysterious terrain of our humanity.
(read poems from Once Removed)
"At Sea" a poem in Once Removed and a collaboration with the sculptor Janice Redman, is on exhibit from April 1 - May 9, 2015 at the Clark Gallery in Lincoln, Massachusetts (145 Lincoln Rd.)
In August, it will be exhibited at ArtSTRAND gallery in Provincetown (494 Commercial St.), and on August 19, there will be a book launch party at ArtSTRAND for Once Removed. You are invited. See the calendar for details.
Read the poem and see the sculpture.
Praise for Bradfield's Poetry
Bradfield's poems guide us alertly into this treacherous territory pocked with political pitfalls and theoretical quagmires. One hardly notices the perils that abound because Bradfield is such a deft naturalist, with a keen eye.
—Jon Christensen, reviewing Interpretive Work in The San Francisco Chronicle
Elizabeth Bradfield's passion for her subject and her acuity and great sensitivity to language make Approaching Ice a fine collection that will fit nicely on shelves of natural history books as well as those for poetry.
—Jennifer Jefferson, reviewing Approaching Ice in The Rumpus
Bradfield is much more than a naturalist with a pen. Her poetry crosses and redefines boundaries, illuminating the silent, isolating misconceptions in the human narrative.
—Jennifer Garfield, reviewing Interpretive Work in Bookslut
At once erotic and unnatural, scientific, and humane, the work presents a beautiful and grim and threatened lexicon of ice and icebergs. Examining "the age-old lust for places/ we pretend are free of consequence," Bradfield also reminds us of our ultimate limitation—mortality—and of the faint human traces any of us, even the boldest, leave.
—Tess Taylor, reviewing Approaching Ice in The Barnes & Noble Review